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1. Sevendust Lead Singer

Apr 07, 2010  Sevendust - Cold Day Memory 2010, 7Bros. Records/ILG Nothing beats coming home, something guitarist Clint Lowery realized after returning to Sevendust after a three album absence. Lowery was a vital part of Sevendust's early success, helping to fill out the distinctive sound of the band with both his guitar and backing vocals. COLD DAY MEMORY capitalizes on all of Sevendust’s chemistry and potential. While the band’s last few efforts were mainly heavy and rhythmic, the new songs balance brutality with textural passages and infectious counter-melodies. There are even fleet-fingered guitar solos. Added on April 20, 2010 Nathan Percy. Records, its eighth studio release, “Cold Day Memory,” which hits stores today (just over 13 years exactly after the.

12 Songs, 46 Minutes

EDITORS’ NOTES

Descargar trainer para resident evil 6 xbox 360 rgh games. Old-school fans of Sevendust should be stoked on the band’s eighth studio album as it finds original guitarist Clint Lowery back in the band (he left in 2003 to pursue work with Dark New Day). “Splinter” opens with heavy, sternum-rattling riffs going head-to-head with dexterous metal-shredding before Witherspoon comes in growling like Gene Simmons on “God Of Thunder.” The album’s first single “Unraveling” is an obvious jewel polished with big shiny guitars that contrast melody with muscle and purgative lyrics (co-penned by Lowery) about the destruction of a relationship. More personal tension is explored on “Confessions (Without Faith),” a harmonious and matured sounding number that touches on Lowery quitting and returning to Sevendust. In aiming for radio airplay, “Karma” abounds with electronic flourishes reminiscent of ‘90s industrial rock, as does the more moody and brooding “Ride Insane,” though the latter leans harder on the bludgeoning riffs of post-grunge guitar distortion and a chorus loaded with barbed hooks honed to grapple your memory.

EDITORS’ NOTES

Old-school fans of Sevendust should be stoked on the band’s eighth studio album as it finds original guitarist Clint Lowery back in the band (he left in 2003 to pursue work with Dark New Day). “Splinter” opens with heavy, sternum-rattling riffs going head-to-head with dexterous metal-shredding before Witherspoon comes in growling like Gene Simmons on “God Of Thunder.” The album’s first single “Unraveling” is an obvious jewel polished with big shiny guitars that contrast melody with muscle and purgative lyrics (co-penned by Lowery) about the destruction of a relationship. More personal tension is explored on “Confessions (Without Faith),” a harmonious and matured sounding number that touches on Lowery quitting and returning to Sevendust. In aiming for radio airplay, “Karma” abounds with electronic flourishes reminiscent of ‘90s industrial rock, as does the more moody and brooding “Ride Insane,” though the latter leans harder on the bludgeoning riffs of post-grunge guitar distortion and a chorus loaded with barbed hooks honed to grapple your memory.

• 12 Songs, 46 Minutes
• Released: Apr 20, 2010
• ℗ 2010 Sevendust LLC d/b/a 7BROS. Records

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Sevendust Lead Singer

Sevendust's 2010 release features the reunion of their original lineup, with guitarist Clint Lowery returning for the first time since 2003, but stylistically it doesn't break with the pattern of their prior discography. They haven't suddenly gone jazz-rock, or become a grindcore band, or done anything else exciting. The songs continue to showcase Lajon Witherspoon's soulful vocals atop the metallic guitar work of John Connelly and Lowery, while the rhythm section of drummer Morgan Rose and bassist Vince Hornsby keeps it all thumping along. The songs plow a plodding, alt-metal/post-grunge groove similar to Creed and many other 1990s-2000s mainstream hard rock bands, including Daughtry, whose frontman made an appearance on Sevendust's 2008 album Chapter VII: Hope and Sorrow. There are a few touches of industrial and nu metal here and there on tracks like 'Karma' and 'Ride Insane,' but even the Linkin Park-isms and Disturbed knockoffs are thoroughly predictable in executionxE2x80地nd you can hear them coming a mile off. Sevendust seem to be writing and playing with the intention of getting on the radio, but uniqueness, challenge, and genuine creativity seem beyond their capacity. These songs seem tailor-made for movie soundtrack placement, and that's kinda depressing.